Presented as part of the CROSS exhibition at the Museum Of Contemporary Art (MOCA) in Taipei, the Drops device is a form of poetic dialogue between materiality and abstraction. The physical space is embodied on the ground in a wide horizontal strip of white sand. demarcating a border on the public side and opening up a horizon with its wide depth. Covering the wall, a vertical projection gently fades onto this surface. The immateriality of the image and the physical presence of the ground resonate along their border. The projection, resulting from generative graphic programming, features a simple shape, the circle, each iteration of which is associated with a sound frequency. The frequencies accumulate, their superposition accentuating the sensation of depth.
As a counterpoint, a vertical screen retrieves the programming values of the main composition in real time, which it displays in the form of disembodied mathematical values.
Original proposal, scenography, graphics, sound design, software development, production monitoring.
